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	<title>Leonie Lisette Göttling</title>
	<link>https://leonielisette.de</link>
	<description>Leonie Lisette Göttling</description>
	<pubDate>Fri, 27 Mar 2026 09:29:49 +0000</pubDate>
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		<title>TAMING THE ALGORITHM</title>
				
		<link>https://leonielisette.de/TAMING-THE-ALGORITHM</link>

		<pubDate>Fri, 27 Mar 2026 09:29:49 +0000</pubDate>

		<dc:creator>Leonie Lisette Göttling</dc:creator>

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&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/9ff69e5d56475c39e4d7db3b2476333b534dfa56e13b8057cbc1f6a8b0f0dd1a/Design-ohne-Titel.png" data-mid="246566284" border="0"  src="https://freight.cargo.site/w/1000/i/9ff69e5d56475c39e4d7db3b2476333b534dfa56e13b8057cbc1f6a8b0f0dd1a/Design-ohne-Titel.png" /&#62;






Taming the Algorithm ⚙️
2026Inkjet-Print, Encaustic on Wood Panel&#38;nbsp;
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		<title>1</title>
				
		<link>https://leonielisette.de/1</link>

		<pubDate>Thu, 10 Jul 2025 12:37:54 +0000</pubDate>

		<dc:creator>Leonie Lisette Göttling</dc:creator>

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&#60;img width="1380" height="2043" width_o="1380" height_o="2043" data-src="https://freight.cargo.site/t/original/i/c24be47e303e31d2dba6b196a018889db8ebbe3a514260efdfdda9a63fe56739/Unbenannt-hdsugfigfs.png" data-mid="235625893" border="0" alt="A01" data-caption="A01" src="https://freight.cargo.site/w/1000/i/c24be47e303e31d2dba6b196a018889db8ebbe3a514260efdfdda9a63fe56739/Unbenannt-hdsugfigfs.png" /&#62;
&#60;img width="1200" height="933" width_o="1200" height_o="933" data-src="https://freight.cargo.site/t/original/i/d8b69943059d4a7c6728746512c4074c40717565a489fa95ddba4ed2084cd9fc/Unbenannt-77.png" data-mid="235623470" border="0" alt="A03" data-caption="A03" src="https://freight.cargo.site/w/1000/i/d8b69943059d4a7c6728746512c4074c40717565a489fa95ddba4ed2084cd9fc/Unbenannt-77.png" /&#62;
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&#60;img width="1200" height="846" width_o="1200" height_o="846" data-src="https://freight.cargo.site/t/original/i/c2e3e798178e68e35b66cc92f0e1dea6da41e2f18acd482ba13287e974a9c705/ishshs.png" data-mid="235628890" border="0" alt="A05" data-caption="A05" src="https://freight.cargo.site/w/1000/i/c2e3e798178e68e35b66cc92f0e1dea6da41e2f18acd482ba13287e974a9c705/ishshs.png" /&#62;
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&#60;img width="6300" height="4440" width_o="6300" height_o="4440" data-src="https://freight.cargo.site/t/original/i/ecbb6e86502515ff26c4c3c44d0e758893f334d93a5d862b9bf81e1d4107e604/Unbenannt-dfhfgdghdgd3.png" data-mid="235628824" border="0" alt="A06" data-caption="A06" src="https://freight.cargo.site/w/1000/i/ecbb6e86502515ff26c4c3c44d0e758893f334d93a5d862b9bf81e1d4107e604/Unbenannt-dfhfgdghdgd3.png" /&#62;
Born to be Wild 🐇2024/25Book, 17 x 24 cm

»Born to be Wild« denkt Natur als Projektionsfläche und Sehnsuchtsort. Die Berührung wird zum Bild, die Jagd zur Geste, das Wilde zur Konstruktion. Durch gezielte Beschneidungen und formgebende Eingriffe werden die Bildfragmente in symbolische Körper eingeschrieben – als Waffe, als Tier, als Zeichen. Eine fragmentarische Erzählung über Nähe und Distanz, über das fortwährende Bedürfnis, Natur zu formen, zu berühren und in Bildern zu bewahren.
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		<title>1 Anfangsbilder</title>
				
		<link>https://leonielisette.de/1-Anfangsbilder</link>

		<pubDate>Thu, 10 Jul 2025 14:51:21 +0000</pubDate>

		<dc:creator>Leonie Lisette Göttling</dc:creator>

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&#60;img width="2008" height="1420" width_o="2008" height_o="1420" data-src="https://freight.cargo.site/t/original/i/ceaa8a4f1a6794bfb04cb2669eec8bbb6ec6df37a47c4285e1c00850735aca7d/Bildschirmfoto-2025-07-10-um-11.24.52.png" data-mid="235626569" border="0"  src="https://freight.cargo.site/w/1000/i/ceaa8a4f1a6794bfb04cb2669eec8bbb6ec6df37a47c4285e1c00850735aca7d/Bildschirmfoto-2025-07-10-um-11.24.52.png" /&#62;
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		<title>Die Zähmung großes Einzelbild</title>
				
		<link>https://leonielisette.de/Die-Zahmung-groses-Einzelbild</link>

		<pubDate>Thu, 10 Jul 2025 16:08:33 +0000</pubDate>

		<dc:creator>Leonie Lisette Göttling</dc:creator>

		<guid isPermaLink="true">https://leonielisette.de/Die-Zahmung-groses-Einzelbild</guid>

		<description>





&#60;img width="4000" height="5999" width_o="4000" height_o="5999" data-src="https://freight.cargo.site/t/original/i/042e5a38a03feca9edfa1d87e03db51d755f88fc220ffc1db8c4aaca733582c2/DSCF0009-Bearbeitet.jpg" data-mid="235629306" border="0"  src="https://freight.cargo.site/w/1000/i/042e5a38a03feca9edfa1d87e03db51d755f88fc220ffc1db8c4aaca733582c2/DSCF0009-Bearbeitet.jpg" /&#62;
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&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/f1fa084bb7339af55c149e226b52ebcbace7ad68191be8fffda0ef6d02673e66/DSCF0008.jpg" data-mid="235629305" border="0"  src="https://freight.cargo.site/w/1000/i/f1fa084bb7339af55c149e226b52ebcbace7ad68191be8fffda0ef6d02673e66/DSCF0008.jpg" /&#62;
&#60;img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/90b759ac402798ade7663b46b97f3c5ff1d9ff52a28291aa95abc6f4940b25a3/DSCF0053-Bearbeitet.jpg" data-mid="235629309" border="0"  src="https://freight.cargo.site/w/1000/i/90b759ac402798ade7663b46b97f3c5ff1d9ff52a28291aa95abc6f4940b25a3/DSCF0053-Bearbeitet.jpg" /&#62;
Die Zähmung / The Taming 🗡️
2024/25
Inkjet-Print, Beeswax, Resin on wood
ca. 120 x 45 cmThe longing for the untouched in nature meets the human urge to domesticate the wild. The sword-shaped surfaces bear photographs of the touch of an animal skin through artificially extended fingernails on their blades sealed with beeswax and resin. A staged act of taming the original. The form intervenes in the content, limits it, and thus allows it to become a symbol itself: of nature and artificiality, power and tenderness, control and wilderness. The photographs are based on AI-generated image prompts. They don’t depict real encounters, but visual imaginings of what touching an animal might look like. What appears empathetic is already a translation, a technologically shaped simulation. In the studio, I reconstruct these moments through elaborate setups. The animal becomes a site of projection, a mirror of human desire oscillating between intimacy and domination. The sword shapes are not historical replicas but laser-cut MDF silhouettes, sealed with encaustic and edged in blaze orange, a textile tape used in hunting, highly visible to humans, but barely perceptible to animals. Camouflage and signal, visibility and invisibility, do not stand in opposition; instead, they collapse into one another. The sword here is neither static metaphor nor purely symbolic object. It is tool, interface, point of contact. It doesn’t just frame the image, it cuts through it, redirects perception, and disrupts the surface. In this disruption, the medium itself asks: Who is touching whom? At the core of this work lies an inquiry into the intersections of archaic ritual and contemporary technology. The sword doesn’t glorify violence; it questions cultural narratives of power. Inspired by alternative storytelling models like Ursula K. Le Guin’s Carrier Bag Theory of Fiction, I ask: What kinds of tools shape our worldviews? Which stories of violence persist, and what other narratives might emerge? Working with ambiguous gestures and symbolic materials, I seek to open a space for reflecting on how ‘wildness’ is imagined—and what it means to try to reach for it.



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		<title>2 DIANA CARRIER BAG SLIDESHOW</title>
				
		<link>https://leonielisette.de/2-DIANA-CARRIER-BAG-SLIDESHOW</link>

		<pubDate>Thu, 10 Jul 2025 16:16:19 +0000</pubDate>

		<dc:creator>Leonie Lisette Göttling</dc:creator>

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&#60;img width="1240" height="1748" width_o="1240" height_o="1748" data-src="https://freight.cargo.site/t/original/i/066819b74bf366edaffd7100df8ab64d7251d240bce4fe9f7b4cce3b4a468499/Schwarz-Wei-Minimalistisch-Modern-Elegant-Din-A6-Einladung-Hochzeit-4.png" data-mid="235629778" border="0"  src="https://freight.cargo.site/w/1000/i/066819b74bf366edaffd7100df8ab64d7251d240bce4fe9f7b4cce3b4a468499/Schwarz-Wei-Minimalistisch-Modern-Elegant-Din-A6-Einladung-Hochzeit-4.png" /&#62;
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&#60;img width="2000" height="1337" width_o="2000" height_o="1337" data-src="https://freight.cargo.site/t/original/i/3b1f392f783950972f9bd0afc885aced4df4313e0b4d8b5d7609beedbc64300e/COVER_FINAL_V2_HELL.pdf-2.png" data-mid="235630211" border="0"  src="https://freight.cargo.site/w/1000/i/3b1f392f783950972f9bd0afc885aced4df4313e0b4d8b5d7609beedbc64300e/COVER_FINAL_V2_HELL.pdf-2.png" /&#62;
&#60;img width="1876" height="1332" width_o="1876" height_o="1332" data-src="https://freight.cargo.site/t/original/i/5f37e261dc3d78128a3e2715a46fd72da7cde96c523e01c623207dbca046ae21/Bildschirmfoto-2025-07-10-um-18.17.38.png" data-mid="235629850" border="0"  src="https://freight.cargo.site/w/1000/i/5f37e261dc3d78128a3e2715a46fd72da7cde96c523e01c623207dbca046ae21/Bildschirmfoto-2025-07-10-um-18.17.38.png" /&#62;
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Carrier Bag (Diana) 🏹
2024
Inkjet-Print, Beeswax, Resin on wood
ca. 250 x 230 cm

Carrier Bag (Diana) presents a photographic installation that engages with the figure of Diana from Roman mythology—goddess of the hunt, the moon, and untamed nature. The project takes this archetype as a starting point to reflect on themes such as identity, narrative structures, and cultural imagery.
A central object, a wig pierced by silver arrows, functions as a visual and conceptual anchor. Around it, photographs are arranged in a mind-map-like structure consisting of object studies, portraits, and round images treated with encaustic.
The visual composition creates a layered field of associations. Diana appears in various guises, without aiming to depict a single character. The project proposes storytelling as an open, non-linear, and collecting practice. Material choices such as wax and pigment introduce texture and opacity, evoking processes of layering, preserving, and transformation. Rather than telling a closed story, the work invites viewers to explore connections and shifts between image, myth, and interpretation.</description>
		
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		<title>Backfischjahre Buch</title>
				
		<link>https://leonielisette.de/Backfischjahre-Buch</link>

		<pubDate>Thu, 10 Jul 2025 16:50:19 +0000</pubDate>

		<dc:creator>Leonie Lisette Göttling</dc:creator>

		<guid isPermaLink="true">https://leonielisette.de/Backfischjahre-Buch</guid>

		<description>
&#60;img width="6300" height="4440" width_o="6300" height_o="4440" data-src="https://freight.cargo.site/t/original/i/55780bc1e79698a4228381ee04a204179445db9eb0fe831c8800da50f21c8849/backfisch1.png" data-mid="235630682" border="0"  src="https://freight.cargo.site/w/1000/i/55780bc1e79698a4228381ee04a204179445db9eb0fe831c8800da50f21c8849/backfisch1.png" /&#62;
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&#60;img width="6300" height="4440" width_o="6300" height_o="4440" data-src="https://freight.cargo.site/t/original/i/13e9b2e960a0572d2443aa6622fd3f8357e0aea8d58000827e97ca34a5318862/backfisch2.png" data-mid="235630683" border="0"  src="https://freight.cargo.site/w/1000/i/13e9b2e960a0572d2443aa6622fd3f8357e0aea8d58000827e97ca34a5318862/backfisch2.png" /&#62;
&#60;img width="6300" height="4440" width_o="6300" height_o="4440" data-src="https://freight.cargo.site/t/original/i/c86c6f4d896f47d386dab801f3f57b97051a11dc1b942cb81611375bf62414f4/backfisch3.png" data-mid="235662006" border="0"  src="https://freight.cargo.site/w/1000/i/c86c6f4d896f47d386dab801f3f57b97051a11dc1b942cb81611375bf62414f4/backfisch3.png" /&#62;

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		<title>Backfischjahre Slideshow</title>
				
		<link>https://leonielisette.de/Backfischjahre-Slideshow</link>

		<pubDate>Thu, 10 Jul 2025 17:11:35 +0000</pubDate>

		<dc:creator>Leonie Lisette Göttling</dc:creator>

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Backfischjahre 🐟&#38;nbsp;
2022
Book, 17 x 24 cm&#38;nbsp;
The project began with a note found inside a package of rolling papers. It explained the term “Backfisch,” once used to describe adolescent girls, and originally linked to fishing practices. This became the starting point for a photo book that engages with visual elements associated with adolescence. The images shift between observation and staging, without following a fixed narrative. What remains from a time that is still unfolding?</description>
		
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		<title>Information Final</title>
				
		<link>https://leonielisette.de/Information-Final</link>

		<pubDate>Thu, 10 Jul 2025 12:37:55 +0000</pubDate>

		<dc:creator>Leonie Lisette Göttling</dc:creator>

		<guid isPermaLink="true">https://leonielisette.de/Information-Final</guid>

		<description>Information
Send me an Email&#38;nbsp;💌

	Leonie Lisette Göttling (Germany, 1998) is a multidisciplinary artist working primarily with lens-based media. Her work explores the human longing for wilderness and examines how cultural narratives, myths, and autobiographical experiences shape our understanding of the relationship between nature and industrial environments. She holds Master’s degrees from HFBK Hamburg and Hochschule Bielefeld, with a focus on photography. She lives and works in Hamburg.
	Education2025MA Photography Hochschule Bielefeld“Born to be Wild. Hunting as a Reflection of the Longing for Nature”


2023MA&#38;nbsp;HFBK Hamburg “Visual Narrations of the Self. Autofiction in Photography”&#38;nbsp;
2022/23MA (Exchange): Fine Art PhotographyUniversity of the Arts London (Camberwell College of Arts) 


	Group Shows2025 
The Spinner's Cycles of Power and CareMOM Art Space Hamburg
PunktHochschule Bielefeld2024 UnordWissenswerkstatt/Satellit Bielefeld2023 Graduate Show HFBK Hamburg
Floating BodiesSafe House 2, London
2022 BackfischjahreVitrine, Bielefeld

2021 Looking Out Looking In - Kann ein Einzelbild eine Geschichte erzählen?Raum21, BielefeldBackfischjahreOpen Space, Paderborn

	Awards2021Shortlist Kassel Dummy Award 2021Longlist Deutscher Fotobuchpreis




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